A game-theoretical analysis of interactions between a human being and an omnipotent and omniscient godlike being highlights the inherent unknowability of the latter's superiority.
In Divine Games, Steven Brams analyzes games that a human being might play with an omnipotent and omniscient godlike being. Drawing on game theory and his own theory of moves, Brams combines the analysis of thorny theological questions, suggested by Pascal's wager (which considers the rewards and penalties associated with belief or nonbelief in God) and Newcomb's problem (in which a godlike being has near omniscience) with the analysis of several stories from the Hebrew Bible. Almost all of these stories involve conflict between God or a surrogate and a human player; their representation as games raises fundamental questions about God's superiority.
In some games God appears vulnerable (after Adam and Eve eat the forbidden fruit in defiance of His command), in other games his actions seem morally dubious (when He subjects Abraham and Job to extreme tests of their faith), and in still other games He has a propensity to hold grudges (in preventing Moses from entering the Promised Land and in undermining the kingship of Saul). If the behavior of a superior being is indistinguishable from that of an ordinary human being, his existence would appear undecidable, or inherently unknowable. Consequently, Brams argues that keeping an open mind about the existence of a superior being is an appropriate theological stance.
An early work in which Baudrillard became Baudrillard.
Experts from psychology, neuroscience, philosophy, ecology, and evolutionary biology assess the field of animal cognition.
Do animals have cognitive maps? Do they possess knowledge? Do they plan for the future? Do they understand that others have mental lives of their own? This volume provides a state-of-the-art assessment of animal cognition, with experts from psychology, neuroscience, philosophy, ecology, and evolutionary biology addressing these questions in an integrative fashion. It summarizes the latest research, identifies areas where consensus has been reached, and takes on current controversies. Over the last thirty years, the field has shifted from the collection of anecdotes and the pursuit of the subjective experience of animals to a rigorous, hypothesis-driven experimental approach. Taking a skeptical stance, this volume stresses the notion that in many cases relatively simple rules may account for rather complex and flexible behaviors.
The book critically evaluates current concepts and puts a strong focus on the psychological mechanisms that underpin animal behavior. It offers comparative analyses that reveal common principles as well as adaptations that evolved in particular species in response to specific selective pressures. It assesses experimental approaches to the study of animal navigation, decision making, social cognition, and communication and suggests directions for future research. The book promotes a research program that seeks to understand animals' cognitive abilities and behavioral routines as individuals and as members of social groups.
Highlights the roles of intention and intentionality in social cognition.
These two volumes bring together a set of important essays that represent a 'new Keynesian' perspective in economics today.
These two volumes bring together a set of important essays that represent a "new Keynesian" perspective in economics today.
Attachment and bonding are evolved processes; the mechanisms that permit the development of selective social bonds are assumed to be very ancient, based on neural circuitry rooted deep in mammalian evolution, but the nature and timing of these processes and their ultimate and proximate causes are only beginning to be understood. In this Dahlem Workshop Report, scientists from different disciplines—including anthropology, psychology, psychiatry, and behavioral biology—come together to explore the concepts of attachment and bonding from diverse perspectives. In their studies they seek to understand the causes or the consequences of attachment and bonding in general and their different qualities in individual development in particular. They address such questions as biobehavioral processes in attachment and bonding; early social attachment and its influences on later patterns of behavior; bonding later in life; and adaptive and maladaptive (or pathological) outcomes. The studies confirm that social bonds have consequences for virtually all aspects of behavior and may be protective in the face of both physical and emotional challenges.
Analogy - recalling familiar past situations to deal with novel ones - can provide invaluable creative insights, but it can also lead to dangerous errors. In Mental Leaps, two leading cognitive scientists show how analogy works and how it can be used most effectively. Keith Holyoak and Paul Thagard provide a unified, comprehensive account of the diverse operations and applications of analogy, including problem solving, decision making, explanation, and communication. They present their own theory of analogy, considering its implications for cognitive science in general, and survey examples from many other domains.
An examination of metaphor in poetry as a microcosm of the human imagination--a way to understand the mechanisms of creativity.
In The Spider's Thread, Keith Holyoak looks at metaphor as a microcosm of the creative imagination. Holyoak, a psychologist and poet, draws on the perspectives of thinkers from the humanities--poets, philosophers, and critics--and from the sciences--psychologists, neuroscientists, linguists, and computer scientists. He begins each chapter with a poem--by poets including Samuel Taylor Coleridge, Sylvia Plath, Walt Whitman, Emily Dickinson, Robert Frost, Theodore Roethke, Du Fu, William Butler Yeats, and Pablo Neruda--and then widens the discussion to broader notions of metaphor and mind.
Holyoak uses Whitman's poem "A Noiseless Patient Spider" to illustrate the process of interpreting a poem, and explains the relevance of two psychological mechanisms, analogy and conceptual combination, to metaphor. He outlines ideas first sketched by Coleridge--who called poetry "the best words in their best order"--and links them to modern research on the interplay between cognition and emotion, controlled and associative thinking, memory and creativity. Building on Emily Dickinson's declaration "the brain is wider than the sky," Holyoak suggests that the control and default networks in the brain may combine to support creativity. He also considers, among other things, the interplay of sound and meaning in poetry; symbolism in the work of Yeats, Jung, and others; indirect communication in poems; the mixture of active and passive processes in creativity; and whether artificial intelligence could ever achieve poetic authenticity. Guided by Holyoak, we can begin to trace the outlines of creativity through the mechanisms of metaphor.