New York Review Books

Set in the aftermath of the 1972 Munich Olympics massacre, this darkly sophisticated literary thriller by one of Germany's most celebrated writers is now available in the US for the first time.

North Africa, 1972. While the world is reeling from the massacre of Israeli athletes at the Munich Olympics, a series of mysterious events is playing out in the Sahara. Four people are murdered in a hippie commune, a suitcase full of money disappears, and a pair of unenthusiastic detectives are assigned to investigate. In the midst of it all, a man with no memory tries to evade his armed pursuers. Who are they? What do they want from him? If he could just recall his own identity he might have a chance of working it out. . . .

This darkly sophisticated literary thriller, the last novel Wolfgang Herrndorf completed before his untimely death in 2013, is, in the words of Michael Maar, "the greatest, grisliest, funniest, and wisest novel of the past decade." Certainly no reader will ever forget it.

A new selection of Henry James's essays on the art of writing, from his famous essay "The Art of Fiction" to pieces on George Eliot, Ivan Turgenev, Honoré de Balzac, and others. Witty, erudite, and passionate, James's essays are a delight for any lover of the written word.

Best known as a master novelist, Henry James was also an incisive critic whose essays on the novel had as profound an influence on its development as did his fiction. Here, Pulitzer-finalist Michael Gorra, author of Portrait of a Novel: Henry James and the Making of an American Masterpiece, gathers some of the most virtuosic essays from across fifty years of James's career. From his landmark essay "The Art of Fiction," an exhilarating treatise on the complexity of literary form, to "The Lesson of Balzac," a tender portrait of one of James's greatest touchstones, to career-defining assessments of writers such as George Eliot and Ivan Turgenev, James reveals himself as a passionate and sensitive reader, one whose unerring ability to locate the currents within Anglophone literature was matched only by his uncommon prescience regarding its future. Slyly humorous and unabashedly opinionated, On Writers and Writing is a compelling artistic biography of a writer at his cogent and stylish best.