NYU Press

Historians and literary historians alike recognize David Walker's Appeal to the Coloured Citizens of the World (1829-1830) as one of the most politically radical and consequential antislavery texts ever published, yet the pamphlet's significant impact on North American nineteenth-century print-based activism has gone under-examined. In The Textual Effects of David Walker's "Appeal" Marcy J. Dinius offers the first in-depth analysis of Walker's argumentatively and typographically radical pamphlet and its direct influence on five Black and Indigenous activist authors, Maria W. Stewart, William Apess, William Paul Quinn, Henry Highland Garnet, and Paola Brown, and the pamphlets that they wrote and published in the United States and Canada between 1831 and 1851. She also examines how Walker's Appeal exerted a powerful and lasting influence on William Lloyd Garrison's Liberator and other publications by White antislavery activists. Dinius contends that scholars have neglected the positive, transnational, and transformative effects of Walker's Appeal on print-based political activism and literary and book history-that is, its primarily textual effects-due to an enduringly narrow focus on the violence that the pamphlet may have occasioned. She offers as an alternative a broadened view of activism and resistance that centers the works of Walker, Stewart, Apess, Quinn, Garnet, and Brown within an exploration of radical forms of authorship, publication, civic participation, and resistance. In doing so, she has written a major contribution to African American literary studies and the history of the book in antebellum America.

In the twenty years after Ireland joined the UN in 1955, one subject dominated its fortunes: Africa. The first detailed study of Ireland's relationship with that continent, this book documents its special place in Irish history. It describes the missionaries, aid workers, diplomats, peacekeepers, and anti-apartheid protesters at the heart of Irish popular understanding of the developing world. It chronicles Africa's influence on Irish foreign policy, from decolonisation and the end of empire, to apartheid and the rise of foreign aid.

Adopting a highly original, and strongly comparative approach, this book shows how small and middling powers like Ireland, Canada, the Netherlands and the Nordic states used Africa to shape their position in the international system, and how their influence waned with the rise of the Afro-Asian bloc. O'Sullivan details the link between African decolonisation and Ireland's self-defined post-colonial identity: at the UN, in the Congo, South Africa, Rhodesia, and Biafra - even in remote mission stations in rural Africa. When growing African radicalism made that role difficult to sustain, this book describes how missionaries, NGOs, and anti-apartheid campaigners helped to re-invent the Irish government's position, to become the 'moral conscience' of the EC.

Offering a fascinating account of small state diplomacy and identity in a vital period for the Cold War, and a unique perspective on African decolonisation, this book provides essential insight for scholars of Irish history, African history, international relations, and the history of NGOs, as well as anyone interested in why Africa holds such an important place in the Irish public imagination.

Despite claims frompundits and politicians that we now live in a post-racial America, people seemto keep finding ways to talk about race-from celebrations of the inaugurationof the first Black president to resurgent debates about policeprofiling, race and racism remain salient features of our world. When facedwith fervent anti-immigration sentiments, record incarceration rates of Blacks andLatinos, and deepening socio-economic disparities, a new question has eruptedin the last decade: What does being post-racial mean?The Post-Racial Mystique exploreshow a variety of media-the news, network television, and online, independent media-debate,define and deploy the term "e;post-racial"e; in their representations of Americanpolitics and society. Using examples from both mainstream and niche media-from prime-time television series to specialty Christian media and audienceinteractions on social media-Catherine Squires draws upon a variety ofdisciplines including communication studies, sociology, political science, andcultural studies in order to understand emergent strategies for framingpost-racial America. She reveals the ways in which media texts cast U.S. history, re-imagine interpersonal relationships, employ statistics, andinventively redeploy other identity categories in a quest to formulatedifferent ways of responding to race.